Five faint during National Theatre”s “gory” play Cleansed
Five audience members have fainted watching a graphic play about sadism in its first week.
Previews of Cleansed by Sarah Kane at the National Theatre on London”s South Bank saw people pass out due to the scenes of torture, rape and violence.
People were warned of “graphic scenes of physical and sexual violence” in promotional material, the theatre said.
Up to 40 people reportedly walked out of the production which depicts a character having their tongue cut out.
Sarah Kane has been described as one of Britain”s most influential playwrights and killed herself aged 28, a year after Cleansed was first staged at the Royal Court in 1998.
The play is set in a university campus and draws on the torture chambers of the former Yugoslavia, during the civil war, for inspiration. It features a gay couple, a young woman and a dancer who are tortured by a doctor on stage in an attempt to test their love.
In a Front Row interview for BBC Radio 4, the play”s director, Katie Mitchell said the cast had experienced nightmares as a result of the performances.
She said: “We have to laugh a lot, in order to balance the despair and the darkness of the material.”
“We all dream huge nightmares, everyone has very strange nightmares, where very extreme events takes place,” she continued.
The reason for wanting to stage the play now, she said, was partly as a result of a new political structure at the National that sought to promote women”s work.
“Durability of love”
“Reviving a play as powerful as Cleansed, by a young woman, is very much fulfilling that new, feminist remit,” the director said.
Although it depicts a character having their tongue cut out and placing their hands in a shredder, she said the play was “not about violence, it”s about love.”
“All of the torture going on is led by a doctor who is making tests about love, its durability. The gay couple in it, the durability of their love is being tested and they are being tortured to see whether their love will survive.”
Responding to claims that up to 40 people had already walked out of the performances at the National, she said culturally there was very little tradition in Britain of portraying the violence and atrocity on stage of world events.